BUTTER Fine Art Fair  made a powerful Los Angeles debut at Hollywood Park in Inglewood during Black History Month, aligning its four-day run with the energy of LA Art Week. Situated near SoFi Stadium, the immersive fair featured more than 40 independent, emerging, mid-career, and established artists from across the African diaspora. BUTTER’s defining principle—its no-censorship, no-commission structure—advanced a bold “100% for Artists” mission, directing all proceeds from sa

CELEBRATING NOLA BLACK CARNIVAL SOCIETY The opening of “ Origins of New Orleans Black Carnival Society” in New Orleans. The exhibit continues through March 15th.  Sandra McCollum’s mother Verlie Etta Bright, was the inspiration for the exhibition. Here she is pictured with Bright’s great-granddaughter, Melieaa McCollum.   LESSONS LEARNED BOOK SIGNING  Ruby Simmons , author of “Lessons Learned”, with Faye Edwards , owner of Faiè Afrikan Art Bronzeville, site of the reading

Artist Robert Lewis Clark with his work '44" Pigment International’s  Glory! Glory!  opening on  Friday, February 20, 2026  at the  Zhou B Art Center  in Chicago, is a civic-centered exhibition foregrounding Black artistic perspectives on the imagery and symbolism of the U.S. flag. The exhibition encourages reflection and dialogue through both representational and interpretive approaches to this iconic national symbol. ( Eventbrite ) A central highlight is  Robert Lewis Clark

Tyanna Buie is working on her installation, Be the Change!  for the Obama Presidential Center. Photo Kaylee Pugliese/Courtesy RISD The soon-to-open  Obama Presidential Center in Chicago  is fast becoming one of the most ambitious public art programs in recent U.S. history, blending civic dialogue with artistic expression across its 19.3-acre campus. Set to open in  spring 2026 , the Center has now commissioned works by more than  25 leading contemporary artists , including  M

Dontae Muse. Work by Danielle Scott Between the Instagram carousel, the group chat exhibition announcement, and Chat GPT, the word “curator” slipped its shoes off and made itself comfortable. Too comfortable, maybe. Let me be clear before the think pieces begin to make themselves: everybody can curate. We all do it daily. We curate playlists, dinner parties, mood boards, timelines, and digital selves. Selection is human. Taste is personal. Storytelling is a natural human pres

Work by Robert Lewis Clark - Mixed Media on Wood 8' X 11' X 2' Pigment International Presents  Glory! Glory!  at Zhou B Art Center, February 20 Pigment International announces  Glory! Glory! , a group exhibition examining symbolism, citizenship, and collective power through contemporary Black art. The exhibition opens Friday, February 20, at Zhou B Art Center 1029 W. 35th Street , with a reception from 7:00–10:00 PM. The event is free and open to the public, advance registrat

Top row right, Munson and Christina Steed at the KJM exhibit in London. The exhibition is now in Paris. Bottom row left, Patricia Jones Blessman at MoAD in San Francisco. KERRY JAMES MARSHALL IN PARIS "Kerry James Marshall: The Histories" continues at the  Musée d'Art Moderne de Paris , following its run at the Royal Academy of Arts and Kunsthaus Zürich. The exhibition features over 70 works, including new paintings exploring Black African roles in the transatlantic slave tra

@kenneydoug - Photo Contributor How does an art event remain vital after more than half a century? Black Creativity 2026 at the Griffin Museum of Science & Industry answers that question not with spectacle alone, but with sustained rigor, thoughtful curation, and an unwavering commitment to Black creative excellence. Opening this past Monday, Black Creativity once again proved why it remains one of the most competitive juried exhibitions in the country. Pigment Internationa