Art Exhibitions

Nick Cave In the company of greatness. Nick Cave at the opening of In Minor Keys — the 61st Venice Biennale, conceived by the late Koyo Kouoh. Cave's Two Points in Time at Once features five works displayed in Arsenale and two of his monumental bronzes installed outdoors. Here he stands with his works Amalgam Meditation and Origin Big Chief Demond Melancon Big Chief Demond Melancon — the first Black Masking Indian to participate in the Venice Biennale — at the opening of In

Installation by A'driane Nieves Review by Ming Joi Speechlessness is seldom experienced by a woman of words like me, but what is there to say when the artworks do all the talking / take the words out of my mouth / speak for the silent moments / phrase it in a way my tongue would never try? In Unbound Narratives: Embodied Language, a group show at Atlanta Contemporary, Bethany Collins, February James, adriene nieves, and Gabi Madrid challenge the unsaid; instead, the inner tho

An artist's depiction of the sewing of the Star Spangled Banner. Grace Wisher is one of the girls in the upper right. Before the Star-Spangled Banner became America's most recognizable symbol, a ten-year-old free Black girl named Grace Wisher helped stitch it into existence. Apprenticed to Baltimore flag-maker Mary Pickersgill around 1810, Grace spent six weeks sewing the flag that would later inspire Francis Scott Key to write the national anthem. When the story was told, ho

Top left Mother & Child (1944) by Elizabeth Catlett; top right Crowd (1988) by Lee Ungno; bottom left Exodus (1972) by Norman Lewis; bottom right Woman Pounding Grain (1957) by Park Son Keun. Standing inside the Art Institute of Chicago's landmark exhibition Korean National Treasures: 2,000 Years of Art, surrounded by 140 works spanning gilt bronze Buddhist sculpture, Joseon dynasty painting, and late 20th-century contemporary art, something unexpected happened — recognition.

Top left - Patricia Andrews-Keenan, Pigment International, Claire Rice, Executive Director Arts Alliance Illinois, Nora Daley, Board Chair Illinois Arts Council, Vicki Heyman, Board Member Illinois Arts Council, Joshua Davis-Ruptero ED Illinois Arts Council. Top Middle - Antoinette Simmons, the Urban Ark Media Arts Center, State Representative Kimberly du Buclet, Middle Row Jen Tremblay Chambers, and Alison Cochran, Hyde Park Art Center, Middle Right - Erin Eveland, The Hub,

Agility to Surrender, rebuilt 2026, 34 ¼ X 26 1/8” 14K gold drawing Goldpoint on Indigo by D. Lammie-Hanson Knowhere Gallery's EXPO Chicago presentation yields a landmark acquisition for the Muskegon Museum of Art A luminous work by D. Lammie-Hanson is making its permanent home in a distinguished private collection — and with it, carrying forward a commitment to elevating the voices of women-identifying artists working in figurative realism. Agility to Surrender, a 14K gold d

Pigment Salon Talk Glory! Glory! at Adler University. From left Phyliss North, Patricia Andrews-Keenan, Jane Carpenter-Rock, Smithsonian American Art Museum (SAAM); State Rep. Kimberly du Buclet; Lisa Coleman, PhD. President of Adler University; Artist D. Lammie-Hanson; Patrica Jones Blessman, PhD.; Valerie Francis, Knowhere Gallery, and Allison Casselberry. Spring Art Week Chicago 2026: A Roundup We go deeper on specifics in later issues — this week, let the photos do the

Sonja Henderson and Sadie Wood's Lakefront installation. Sadie Woods and Sonja Henderson’s We Still Here is a temporal monument response situated along Chicago’s lakefront at Lake Shore Drive and Belmont, in the shadow of General Philip Sheridan. The installation reclaims space through an evocative assembly of bones, metal, and feathers, honoring layered histories while challenging dominant narratives. A diverse crowd gathered in celebration of spirituality and environmental

Artwork Orbiting by Alma Thomas Curators, artists, and arts professionals gather for a landmark series of conversations during Spring Art Week Dialogues, presented by Northern Trust, brings together curators, artists, and arts professionals for a series of panel discussions, forums, and artistic discourse on the themes defining contemporary culture. Highlights include a reflection on the legacy of Alma Thomas featuring artists Lindsay Adams and Amanda Williams alongside cur

Photo by Barrington Darius When Frieze tapped Essence Harden to curate the Profile section of Expo Chicago 2026, it wasn't simply a curatorial appointment — it was a statement about what the fair intends to become. Multi-generational Bay Area roots, an academic foundation in African Diaspora Studies, and a practice built on long-term relationships with artists: Harden arrives in Chicago as someone who understands what it means to belong to a place before you've ever lived t

Works from the collection of Dr. J. Eugene Grisby, Jr.: From top Hale Woodruff , Jacob Lawrence and John Biggers.

Work of Kari Black April 9–12, the independent fair spotlights emerging artists — and makes space for those too often left out  The Other Art Fair Chicago arrives April 9–12 with its signature blend of accessibility, interactivity, and discovery — and this edition leans into both nostalgia and urgency. Anchored by the theme Nostalgia Core , the fair transforms Saatchi Art's independent platform into an immersive playground where visitors don't just view art — they touch, pl

By Dontae Muse  When you think of the Biennale, you might think of Venice. I wish. This one was nearly chosen, except for the lack of water. I hopped over the water, the Hudson River, to experience the Whitney Biennial 2026 during the preview at the Whitney Museum of American Art, before it opened to the public, courtesy of my membership. I have to say that observing the exhibition in its quiet state, before the reactions unfold, allows for a deeper appreciation of its const

Danny Dunson, DuSable Black History Museum & Education Center, in conversation with Bisa Butler at Soho House On a recent evening at Soho House Chicago, curator Erica S. Hubbard created something rare — an intimate space for Chicagoans to sit with one of contemporary art's most powerful voices. Textile artist Bisa Butler joined curator D anny Dunson for a conversation that felt less like a formal program and more like an exchange between old friends, candid, unscripted, and a

Robert Lewis Clark's '44' is available now On a cold February morning in 2007, Barack Obama stood in Springfield, Illinois and set history in motion. From that day, millions of Americans became archivists — clipping headlines, saving programs, holding onto anything that might one day prove they witnessed the moment. Lura Satterfield Shareef was one of them. After the historic 2008 election, she handed her son every clipping, every fragment of that momentous chapter and said

Pigment International will present the Glory! Glory! Salon Talk , a public conversation examining the powerful symbolism of the American flag through the perspectives of artists, cultural leaders, and civic voices. The program takes place Friday, March 13 as part of the ongoing exhibition Glory! Glory! The event will be held at the Zhou B Art Center, 1029 W. 35th Street from 6 pm – 8 pm. The Salon Talk will feature an interdisciplinary panel including cultural represe

BUTTER Fine Art Fair made a powerful Los Angeles debut at Hollywood Park in Inglewood during Black History Month, aligning its four-day run with the energy of LA Art Week. Situated near SoFi Stadium, the immersive fair featured more than 40 independent, emerging, mid-career, and established artists from across the African diaspora. BUTTER’s defining principle—its no-censorship, no-commission structure—advanced a bold “100% for Artists” mission, directing all proceeds from sa

LA Art Week coincided with The NAACP Image Awards and SAG Awards fostering some serious celebrity watching.

From top left: Pigment founders Patricia Andrews-Keenan and Phyliss North, work by Candace Hunter, artist panel Robert Lewis Clark, Reggie McFly, Paul Branton, and Nnaemeka Ekwelum; Middle row: work by Candace Hunter, Patricia Jones Blessman, and former U.S. Senator and Ambassador Carol Moseley Braun, and champagne toast. Bottom row: Pigment merchandise, Vicki and Bruce Heyman, former Ambassador to Canada, with grandson Levi, Sylvia Ewing, and Pat Everett. Photos by Thought P

Opening Night of Glory! Glory at Zhou B Art Center Pigment International continues the momentum of Glory! Glory! with an evening of critical dialogue and cultural inquiry. On Friday, March 13 at 6:00 PM , Glory! Glory! Salon Talk will convene artists, civic leaders, and political voices for a moderated conversation examining the intersection of art, civic engagement, and politics. Panelists will explore how creative practice can function as civic discourse—how visual langua