Pigment Salon Talk Glory! Glory! at Adler University. From left Phyliss North, Patricia Andrews-Keenan, Jane Carpenter-Rock, Smithsonian American Art Museum (SAAM); State Rep. Kimberly du Buclet; Lisa Coleman, PhD. President of Adler University; Artist D. Lammie-Hanson; Patrica Jones Blessman, PhD.; Valerie Francis, Knowhere Gallery, and Allison Casselberry. Spring Art Week Chicago 2026: A Roundup   We go deeper on specifics in later issues — this week, let the photos do the

Martha Wade at William Blair, her 3D chair, and work by Briana McNeil Scott. On Wednesday, at  William Blair ,  Martha Wade  debuted not just new work, but her work took new form when she created a chair. Wade's calm, consistency and commitment to community shone through in her interview with Blair’s curator Isidora K. Lagos under the theme Expressive Journeys: The panel of self-taught artists also included Grace Federighi, Briana McNeil, and O’Neil Scott.

Sonja Henderson and Sadie Wood's Lakefront installation. Sadie Woods and Sonja Henderson’s We Still Here is a temporal monument response situated along Chicago’s lakefront at Lake Shore Drive and Belmont, in the shadow of General Philip Sheridan. The installation reclaims space through an evocative assembly of bones, metal, and feathers, honoring layered histories while challenging dominant narratives. A diverse crowd gathered in celebration of spirituality and environmental

As the United States stands on the threshold of its 250th Anniversary,  Pigment International®  invites Chicago’s cultural community to a landmark gathering during Spring Art Week 2026. The Pigment International Salon Talk will convene artists, institution leaders, policymakers, and patrons for an intimate morning of dialogue, reflection, and celebration—timed to coincide with Spring Art Week in the city. Pigment International continues its focus on national identity, ancestr

Ra Joy, Executive Director Bronzeville Center For The Arts (BCA) This year America will celebrate its semi-quincentennial and the signing of the Declaration of Independence on July 4, 1776. As the nation reflects on its founding, it also finds itself wrestling with fundamental questions around what we choose to remember, who we choose to honor, what we collectively celebrate, and why it all matters.  With America’s 250th birthday rapidly approaching, the stakes are high. Poli

Artwork Orbiting by Alma Thomas Curators, artists, and arts professionals gather for a landmark series of conversations during Spring Art Week Dialogues, presented by Northern Trust, brings together curators, artists, and arts professionals for a series of panel discussions, forums, and artistic discourse on the themes defining contemporary culture. Highlights include a reflection on the legacy of Alma Thomas featuring artists Lindsay Adams and Amanda Williams alongside cur

Works from the collection of Dr. J. Eugene Grisby, Jr.: From top Hale Woodruff , Jacob Lawrence and John Biggers.

Work of Kari Black April 9–12, the independent fair spotlights emerging artists — and makes space for those too often left out  The Other Art Fair Chicago arrives April 9–12 with its signature blend of accessibility, interactivity, and discovery — and this edition leans into both nostalgia and urgency. Anchored by the theme  Nostalgia Core , the fair transforms Saatchi Art's independent platform into an immersive playground where visitors don't just view art — they touch, pl

Panelists Arlene Crawford, Janice Bond, Dorian Sylvain, and Brenda Dickerson at the Women of the Wall at Zhou B Art Center in Chicago. The Salon Talk was moderated by Monique Brinkman Hill. The  Women of the Wall Salon Talk , presented by  Pigment International  at the Zhou B Art Center, closed the exhibition,  Glory! Glory!  with a powerful intergenerational conversation about public art, cultural memory, and the enduring legacy of the historic Wall of Respect. Panelists  Do

Pigment International will present  Women of the Wall , a Pigment Salon Talk marking the closing of the  Glory! Glory!  exhibition on  Friday, February 20 from 6–8 pm at the  Zhou B Art Center . The panel will feature artist  Arlene Crawford, Janice Bond , Executive Director of the  Chicago Public Art Group ; interdisciplinary artist  Dorian Sylvain , whose work is part of the public art program at the  Obama Presidential Center ; and  Brenda Dickerson , an arts advocate dedi

From top left: Pigment founders Patricia Andrews-Keenan and Phyliss North, work by Candace Hunter, artist panel Robert Lewis Clark, Reggie McFly, Paul Branton, and Nnaemeka Ekwelum; Middle row: work by Candace Hunter, Patricia Jones Blessman, and former U.S. Senator and Ambassador Carol Moseley Braun, and champagne toast. Bottom row: Pigment merchandise, Vicki and Bruce Heyman, former Ambassador to Canada, with grandson Levi, Sylvia Ewing, and Pat Everett. Photos by Thought P

Opening Night of Glory! Glory at Zhou B Art Center Pigment International continues the momentum of  Glory! Glory! with an evening of critical dialogue and cultural inquiry. On  Friday, March 13 at 6:00 PM , Glory! Glory! Salon Talk will convene artists, civic leaders, and political voices for a moderated conversation examining the intersection of art, civic engagement, and politics. Panelists will explore how creative practice can function as civic discourse—how visual langua

CELEBRATING NOLA BLACK CARNIVAL SOCIETY The opening of “ Origins of New Orleans Black Carnival Society” in New Orleans. The exhibit continues through March 15th.  Sandra McCollum’s mother Verlie Etta Bright, was the inspiration for the exhibition. Here she is pictured with Bright’s great-granddaughter, Melieaa McCollum.   LESSONS LEARNED BOOK SIGNING  Ruby Simmons , author of “Lessons Learned”, with Faye Edwards , owner of Faiè Afrikan Art Bronzeville, site of the reading

Artist Robert Lewis Clark with his work '44" Pigment International’s  Glory! Glory!  opening on  Friday, February 20, 2026  at the  Zhou B Art Center  in Chicago, is a civic-centered exhibition foregrounding Black artistic perspectives on the imagery and symbolism of the U.S. flag. The exhibition encourages reflection and dialogue through both representational and interpretive approaches to this iconic national symbol. ( Eventbrite ) A central highlight is  Robert Lewis Clark

@kenneydoug - Photo Contributor How does an art event remain vital after more than half a century? Black Creativity 2026 at the Griffin Museum of Science & Industry answers that question not with spectacle alone, but with sustained rigor, thoughtful curation, and an unwavering commitment to Black creative excellence. Opening this past Monday, Black Creativity once again proved why it remains one of the most competitive juried exhibitions in the country. Pigment Internationa